Damage Control
Π°ΠΏΡ. 2010β―Π³. Β· Hotel Marchand ΠΠ½ΠΈΠ³Π° 4 Β· Harlequin
4,5star
2 ΡΠ΅ΡΠ΅Π½Π·ΠΈΠΈreport
Π-ΠΊΠ½ΠΈΠ³Π°
256
Π‘ΡΡΠ°Π½ΠΈΡΠΈ
family_home
Π‘ΠΎΠΎΠ΄Π²Π΅ΡΠ½Π°
info
reportΠΡΠ΅Π½ΠΈΡΠ΅ ΠΈ ΡΠ΅ΡΠ΅Π½Π·ΠΈΠΈΡΠ΅ Π½Π΅ ΡΠ΅ ΠΏΠΎΡΠ²ΡΠ΄Π΅Π½ΠΈ Β ΠΠΎΠ·Π½Π°ΡΡΠ΅ ΠΏΠΎΠ²Π΅ΡΠ΅
ΠΠ° Π΅-ΠΊΠ½ΠΈΠ³Π°Π²Π°
He'd loved her and left her, and now he was back.
When Hollywood director Pete Traynor walked out on the movie Renee Marchand was producing, his departure ended up costing her the job she loved. Now he's checked into her family's New Orleans hotel and Renee is finding it hard to maintain her cool.
His arrival triggers a lot of memories and just as many questions. Why did he disappear with no explanation? And why hasn't Renee been able to forget the night they spent together? It doesn't take long before she has at least one answer. Pete Traynor is still the most appealing man she's ever met. Now she has to decide what to do about it.
When Hollywood director Pete Traynor walked out on the movie Renee Marchand was producing, his departure ended up costing her the job she loved. Now he's checked into her family's New Orleans hotel and Renee is finding it hard to maintain her cool.
His arrival triggers a lot of memories and just as many questions. Why did he disappear with no explanation? And why hasn't Renee been able to forget the night they spent together? It doesn't take long before she has at least one answer. Pete Traynor is still the most appealing man she's ever met. Now she has to decide what to do about it.
ΠΡΠ΅Π½ΠΈ ΠΈ ΡΠ΅ΡΠ΅Π½Π·ΠΈΠΈ
4,5
2 ΡΠ΅ΡΠ΅Π½Π·ΠΈΠΈ
ΠΠ° Π°Π²ΡΠΎΡΠΎΡ
Since her first venture into novel writing in the mid-nineties, Kristi Gold has greatly enjoyed weaving stories of love and commitment. She's an avid fan of baseball, beaches and bridal reality shows. During her career, Kristi has been a National Readers Choice winner, Romantic Times award winner, and a three-time Romance Writers of America RITA finalist. She resides in Central Texas and can be reached through her website at http://kristigold.com.
ΠΡΠ΅Π½Π΅ΡΠ΅ ΡΠ° Π΅-ΠΊΠ½ΠΈΠ³Π°Π²Π°
ΠΠ°ΠΆΠ΅ΡΠ΅ Π½ΠΈ ΡΡΠΎ ΠΌΠΈΡΠ»ΠΈΡΠ΅.
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Π-ΡΠΈΡΠ°ΡΠΈ ΠΈ Π΄ΡΡΠ³ΠΈ ΡΡΠ΅Π΄ΠΈ
ΠΠ° Π΄Π° ΡΠΈΡΠ°ΡΠ΅ Π½Π° ΡΡΠ΅Π΄ΠΈ ΡΠΎ Π΅-ΠΌΠ°ΡΡΠΈΠ»ΠΎ, ΠΊΠ°ΠΊΠΎ ΡΡΠΎ ΡΠ΅ Π΅-ΡΠΈΡΠ°ΡΠΈΡΠ΅ Kobo, ΡΠ΅ ΡΡΠ΅Π±Π° Π΄Π° ΠΏΡΠ΅Π·Π΅ΠΌΠ΅ΡΠ΅ Π΄Π°ΡΠΎΡΠ΅ΠΊΠ° ΠΈ Π΄Π° ΡΠ° ΠΏΡΠ΅ΡΡΠ»ΠΈΡΠ΅ Π½Π° ΡΡΠ΅Π΄ΠΎΡ. Π‘Π»Π΅Π΄Π΅ΡΠ΅ Π³ΠΈ Π΄Π΅ΡΠ°Π»Π½ΠΈΡΠ΅ ΡΠΏΠ°ΡΡΡΠ²Π° Π²ΠΎ Π¦Π΅Π½ΡΠ°ΡΠΎΡ Π·Π° ΠΏΠΎΠΌΠΎΡ Π·Π° ΠΏΡΠ΅ΡΡΠ»Π°ΡΠ΅ Π½Π° Π΄Π°ΡΠΎΡΠ΅ΠΊΠΈΡΠ΅ Π½Π° ΠΏΠΎΠ΄Π΄ΡΠΆΠ°Π½ΠΈ Π΅-ΡΠΈΡΠ°ΡΠΈ.
