A Hero of Our Time

ยท Penguin
4.0
ื‘ื™ืงื•ืจืช ืื—ืช
ืกืคืจ ื“ื™ื’ื™ื˜ืœื™
208
ื“ืคื™ื
ื›ืฉื™ืจ
ื”ื‘ื™ืงื•ืจื•ืช ื•ื”ื“ื™ืจื•ื’ื™ื ืœื ืžืื•ืžืชื™ืย ืžื™ื“ืข ื ื•ืกืฃ

ืžื™ื“ืข ืขืœ ื”ืกืคืจ ื”ื“ื™ื’ื™ื˜ืœื™ ื”ื–ื”

In its adventurous happeningsโ€“its abductions, duels, and sexual intriguesโ€“A Hero of Our Timeย looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and โ€™30s. In the character of its protagonist, Pechorinโ€“the archetypal Russian antiheroโ€“Lermontovโ€™s novel looks forward to the subsequent glories of a Russian literature that it helped, in great measure, to make possible.

ื“ื™ืจื•ื’ื™ื ื•ื‘ื™ืงื•ืจื•ืช

4.0
ื‘ื™ืงื•ืจืช ืื—ืช

ืขืœ ื”ืžื—ื‘ืจ

Mikhail Lermontov (1814-1841) made several journeys to the Caucasus before entering St, Petersburg Guardsโ€™ school, where he began writing poetry and autobiographical dramas in prose. Influenced by Byron, he is renowned as Russiaโ€™s one true Romantic poet. Lermontov greatly influenced Dostoyevsky and Blok; while Tolstoy and Chekhov regarded his prose as a model.

Natasha Randall (translator/introducer) has published translations of Yevgeny Zamyatinโ€™s We (shortlisted for the 2008 Oxford-Weidenfeld Translation Prize) and Osip Mandelstamโ€™s poetry as well as the work of contemporary writers Arkady Dragomoshchenko, Alexander Skidan, and Olga Zondberg. A frequent contributor to the Los Angeles Times, she lives in London.
ย 
Neil LaBute (foreword) is a film director, screenwriter and playwright. He is best known for his play and film In the Company of Men and his films Possession, The Shape of Things, and The Wicker Man.

ืจื•ืฆื” ืœื“ืจื’ ืืช ื”ืกืคืจ ื”ื“ื™ื’ื™ื˜ืœื™ ื”ื–ื”?

ื ืฉืžื— ืœืฉืžื•ืข ืžื” ื“ืขืชืš.

ืื™ืš ืงื•ืจืื™ื ืืช ื”ืกืคืจ

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ื ื™ืชืŸ ืœื”ืื–ื™ืŸ ืœืกืคืจื™ ืื•ื“ื™ื• ืฉื ืจื›ืฉื• ื‘-Google Play ื‘ืืžืฆืขื•ืช ื“ืคื“ืคืŸ ื”ืื™ื ื˜ืจื ื˜ ืฉืœ ื”ืžื—ืฉื‘.
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ื›ื“ื™ ืœืงืจื•ื ื‘ืžื›ืฉื™ืจื™ื ืขื ืชืฆื•ื’ืช ื“ื™ื• ืืœืงื˜ืจื•ื ื™ (e-ink) ื›ืžื• ื”ืงื•ืจืื™ื ื”ืืœืงื˜ืจื•ื ื™ื™ื ืฉืœ Kobo, ืฆืจื™ืš ืœื”ื•ืจื™ื“ ืงื•ื‘ืฅ ื•ืœื”ืขื‘ื™ืจ ืื•ืชื• ืœืžื›ืฉื™ืจ. ื™ืฉ ืœืคืขื•ืœ ืœืคื™ ื”ื”ื•ืจืื•ืช ื”ืžืคื•ืจื˜ื•ืช ื‘ืžืจื›ื– ื”ืขื–ืจื” ื›ื“ื™ ืœื”ืขื‘ื™ืจ ืืช ื”ืงื‘ืฆื™ื ืœืงื•ืจืื™ื ืืœืงื˜ืจื•ื ื™ื™ื ื ืชืžื›ื™ื.
ื“ื™ื•ื•ื— ืขืœ ืชื•ื›ืŸ ืœื ื—ื•ืงื™

ืขื•ื“ ืžืืช Mikhail Lermontovโ€

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ะœะธั…ะฐะธะป ะ›ะตั€ะผะพะฝั‚ะพะฒ
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